#1
Objects are calling as well - for example a kitschy toilet paper roll case that I had to put on a piedestal in a public park in my hometown as a sculpture - and take a photo of it. The Duchamp 'zeitgeist' had reached me.

#3
My child self is sitting in the middle of a sunny meadow full of hope and openness, looking at me and shining through her eyes: "Listen to me, I have found something beautiful, I want to show you!"

#2
I don't rehearse fanatically. So when a concept gets bold enough to try out, it already means to do it live, in some kind of public space. In Münich at Lothringen Laden artist run space, we had a participatory situation around death of collectivity, we set up an office to register last wills. So did we, but much more, a complex process could reveal.

#4
It is not so obvious for my voice to be heard, in case of working alone. My intentions does not form words but they have some place in my body, it can be also in my mind... after some time action takes over, without knowing exactly what should be looked for. I'm in the situation, where these intentions has blown me, that is transformed by myself being present in it. My question is, why I don't repeat these presences? What is my infrastructure of inviting audiences, witnesses, partners?

#5
I did my first tattoo in 2012. With a needle and indiana ink. On a friend, who encouraged me by trusting in me. It was a little paperboat on her left foot. I enjoy making tattoos, see how the dots melt or not into a line.